Leeds  Art  Galleries, 

817  A  819  Brcaaviy. 


Of  the  Rare  and  Extensive  Assemblage  of 

|j<untinjgs,  |Ja{er  ^olor 


*C.,  COMPRISING  Till’) 


ENTIRE  PRIViTE  COLLECTION  OE 


RKI-ONGING  TO 


\ 


M  Pv.  j.  P.  P)EAUfSON 

/  -  / 

WHICH,  TOGETHER  WITH  HIS  CURIOSITIES,  13ROj 
AND  HOUSEHOLD  FURNITURE,  WILL  K| 
WITHOUT  RESERVE, 

On  Tuesday,  April  :1J 

At  11  o’clock  A.  M.,  and  7}g  P.  >L,  and  follow! 

W  ¥ 


AT  THE 

“LEEDS  ART  GALLERIES,” 

Nos.  817  find  8111  Broadway,  corner  of  1:4th  St 

They  may  be  viewed  on.  and  after  Tuesday ,  April  lith,  and  until  the  ea 
the  day  of  sale,  at  the  Galleries  as  above.  A  separate  Catalogue  will  be  istni 
uilure,  dbc.,  contained  in  the  house.  No.  7  Bond  Street,  the  sale  qf  which 
Monday,  18fA  April.  Catalogues  may  be  obtained  at  the  office  of  the  Awl 

the  Galleries.” 

ttmimMfOM'wmBp  cyfe 


John  Pol Iumhuh,  Printer,  10*  Nassau 


I 


4 


Itfs illVItlP 


ENTIRE  COLLECTION  OP 


w 


A 


AND 


OBJECTS  OF  VERTU. 


A 


TERMS  OF  SALE. 


A  sufficient  deposit  will  be  required  from  all  purchasers,  at  the  option  of  the  Auctioneer, 
which  deposit  shall  apply  to  all  articles  purchased  at  this  sale. 

All  purchases  nu^st  be  paid  for  in  CASH- CURRENT  FUNDS,  and  the  articles  removed 
within  twent7-four  hours  after  the  close  of  the  sale,  or  the  deposit  will  be  forfeited  and  the 
sale  annulodt  it  the  option  of  the  Auctioneer.  All  reclamations  must  be  made  on  or  before 
U otahapK  A.  M. ,  of  the  day  after  the  sale. 


NOTICE. 


The  Exhibition  at  the  Galleries  will  close  on  Monday,  18th  April,  at 
5  P.  M.,  in  order  to  remove  the  paintings  from  the  walls,  and  prepare 
for  the  sale,  which  commences  at  1 1  o’clock,  on  Tuesday  morning,  April 
19th,  and  will  be  continued  at  half-past  seven  in  the  evening. 

The  “  Leeds  Art  Galleries”  not  being  sufficiently  capacious  for 
the1  exhibition  of  his  entire  collection,  the  portion  hanging  on  the  walls 
of  Mr.  Beaumont’s  residence,  No.  7  Bond  Street,  four  doors  from  Broad¬ 
way,  will  remain  there  until  removed  to  the  Galleries  for  convenience 
of  sale,  and  may  be  viewed  on  and  after  Thursday,  14th  April,  by  card 
of  admission  to  be  obtained  of  us. 


H.  H.  LEEDS  &  MINER. 


3 


PREFACE. 


We  extract  from  a  few  articles  which  have  already 
appeared  in  the  Press,  the  following  portions  with 
reference  to  the  collection  now  on  exhibition^  A  col¬ 
lection  which  we  feel  no  hesitation  in  saying  has  hardly 
ever  been  equalled  in  the  proportion  of  highly  meri¬ 
torious  and  rarely  excellent  works  of  arc  to  the  entire 
number,  in  the  annals  of  the  tine  arts  on  phis  side  of  the 
Atlantic. 

From  the  “  Home  Journal 

Mr.  J.  P.  Beaumont,  one  of  the  oldest  gleaners  oT'European  art 
for  the  American  market,  has  decided  upon  retiring  altogether  from 
the  active  pursuit  of  his  profession.  Mr.  J.  P.  Beaumont,  Who,  for 
a  period  of  some  forty  years,  or  more,  has  been  known  by  all  the 
cognoscenti  in  painting,  and  by  all  the  artistic  producers  in  Europe, 
is  about  to — or  rather  has  already  placed  himself  in  the  hands  of 
Mr.  Allen  B.  Miner,  the  surviving  partner  in  the  firm  of  Leeds  & 
Miner,  to  sell  out  his  furniture,  his  curiosities,  and  some  four 
hundred  pictures,  more  than  three-fourths  of  which  have  been  in 
his  possession  for  a  series  of  years,  varying  from  five  to  thirty-five. 
These  he  has  valued  as  his  peculiar  art  treasures.  If  the  invasion 
of  Business  had  not  threatened  to  intrude  upon  his  Lares  and 
Penates  in  Bond  street,  he  would  have  probably  retained  them  for 
years,  in  the  places  made  sacred  to  him  by  their  presence.  As  it  is, 
he  has  determined  upon  abandoning  them — his  early  Church,  his 
pet  Gilbert  Stuart,  his  Eastman,  Johnson^,  and  his  European 
treasures — to  the  hammer  of  the  auctioneer,  and  converting  them 
into  filthy  lucre. 

Seriously  speaking,  Mr.  Beaumont,  who  knew  Jarvis  and  Trum¬ 
bull,  and  has  seen  Elliott  and  Leutze  pass  from  our  midst,  who  lived 
in  the  old  Arcade  when  cows  and  sheep  pastured  m  Bond  street, 
intends  to  quit  a  field  of  occupation  in  which  he  has — whether  in¬ 
tentionally  or  not — done  so  much  for  our  native  art.  1  We  say  this 
meaningly.  However,  our  younger  artists  may  blinds  themselves  to 
the  fact,  the  man  who  first  introduced  such  names  as  Verboeckhoven, 
Van  Schendel,  Robbe,  and  scores  of  other  great  painters  to  us, 
deserves  being  remembered.  He  may  fold  up  his  tents ’and  leave 
his  spoils  behind  him,  sacrificing  them  for  the  almighty  dollar,  but 
he  merits  a  kindly  memory  from  all  who  admire  the  art  in  which  he 
was  so  thorough  a  connoissieur.  . 

From  “  Frank  Leslie’s  Illustrated  Paper.” 

Mr.  Beaumont  has  placed  in  the  hands  of  Mr.  Miner — alfine  in 
the  firm  of  Leeds  &  Miner  since  the  death  of  his  senior  partner— 
the  whole  of  those  paintings  which  he  respected  too  much  to  sell, 
together  with  some  hundred  of  recent  importation.  These^w^l  be 


disposed  of  on  April  1 8th  and  the  following  days.  We  say,  “those 
paintings  which  he  respected  too  much  to  sell,”  and  say  it  with 
justice.  Mr.  Beaumont’s  stock  in  life  was  his  singularly  fine  taste. 
But  at  times,  when  he  got  an  extraordinarily  delicious  or  a  strikingly 
fine  picture,  his  taste  stood  in  the  wav  of  his  purse.  He  kept  it  for 
himself,  to  enjoy  and  gloat  upon  in  his  own  drawing-room  or  library. 
Such  Are.  his  extraordinary  head — merely  a  sketch — of  Mrs.  Morris, 
by,  Gilbert  Stuart,  and  his  two  Coles.  Such  is  his  George  Wash¬ 
ington,  also  by  Stuart,  his  Ziem,  his  Cuyp  (the  father),  and  a  score 
or  more  of  positive  gems,  some  of  which  have  been  in  his  possession 
for  more  than  ftwenty-five  years.  Yet  these,  with  some  four  hun¬ 
dred  paintings,  none  of  them  of  low  merit,  but  nearly  the  whole 
standing  in  the  very  front  rank  of  Art,  he  has  made  up  his  mind  to 
part  with.  There  is  a  De  Bylandt,  “  The  Lake  of  the  Four 
Cantons,”  one  of  the  most  charming  German  landscapes  ever 
painted.  He  has  the  finest  Robbe  we  have  ever  seen,  and  the  very- 
best  Carl  Hubner  (“The  First  Grandchild”)  ever  imported  into 
this  country.  But,  indeed,  the  whole  of  his  pictures  range  on  so 
level  a  plane,  and  so  thoroughly  high  an  one,  with  a  very  few  ex- 
cepnonsy  that  praise  would  be  merely  reduplication  of  the  words 
previously  employed.  We  shall,  consequently,  say  no  more,  save 
to  express  a  regret  that  he  should  cease  to  be  actively  connected 
with  the  Art  for  whose  development  in  America  he  has  done  so 
much. 

He  was  the  first  man  who  slowly  put  behind  him  the  old  masters, 
and  devoted  himself  as  a  connoisseur  to  modern  painting.  His 
taste  grew  with  the  time.  Forty  years  since,  no  one  thought, 
except  in  sparse  instances,  of  buying  a  modern  European  painting. 
Gradually  he  has  made  our  home-taste  acquaint  itself  with  the 
Tschaggepys,  Ziem,  Verboeckhoven,  Van  Schendel,  Robbe,  and  a 
hundred  others.  In  Benefiting  our  taste,  he  has,  in  an  indirect  way, 
benefited  our  native  Art.  No  contemptible  lanscape  painter  him¬ 
self,  in  former  days,  he  abandoned  his  profession  for  a  more  profit¬ 
able  calling,  which  has  proved  of  the  greatest  advantage  to  the 
American  school.  Now  that  his  work  is  done,  both  for  himself  and 
the  public^  he  quits  the  arena  as  a  successful  athlete,  whose  last 
struggle  .with  fortune  deserves  to  outshine  all  his  others  in  its  bril¬ 
liant  result  to  himself  and  the  reputation  which  it  will  leave  him. 

From  the  “  Neve  Fork  Evening  Express.” 

It  is  Mr.  Beaumont,  whose  private  collection  is,  we  are  informed, 
about  to  be  brought  to  the  hammer  in  the  course  of  the  next  month, 
when  he  'rells  his  furniture  and  various  curiosities.  The  friend  of 
so  many  of  our  leading  citizens  of  a  past  epoch  will  close  within  a 
few  weeks  his  lenghty  connection,  as  an  enlightened  connoisseur, 
with  Art  in  the  United  States.  And  in  closing  it,  our  citizens  will 
have  a  fair  opportunity  of  judging  and  estimating  the  personal  taste 
of  one  who — while  working  for  his  own  benefit — has  personally  done 
mpre  foifcour  Art  education  in  the  last  forty  years,  than  any  indivi¬ 
dual  who  has  made  the  profession  of  an  Art  connoisseur,  respected 
by  the  integrity  and  soundness  of  his  judgment. 


From  the  “  Evening  Post.” 

The  fine  collection  of  paintings  owned  by  Mr.  J.  P.  Beaumont 
is  announced  for  exhibition  at  the  Leeds  Art  Galleries  on  and  after 
April  5,  and  to  continue  until  the  18th,  when  all  are  to  be  sold  by 
auction.  Mr.  Beaumont,  after  an  experience  of  forty  years  as  a 
picture  buyer  and  collector,  now  proposes  to  retire  and  dispose  of 
the  many  valuable  works  in  his  possession  without  reserve.  Mr. 
Beaumont  was  among  the  first  to  import  foreign  pictures  for  the 
American  market,  and  the  soundness  of  his  judgment  is  apparent  in 
the  superior  character  of  the  works  which  now  form  his  collection, 
for  in  it  are  some  of  the  best  examples  of  the  European  Schools, 
while  American  Art  has  not  been  neglected.  Gilbert  Stuart  is 
represented  by  fine  portraits  of  Washington  and  Mrs.  Robert 
Morris,  and  there  are  other  meritorous  works  from  the  brushes  of 
Sully,  Cole,  Huntington,  Church,  Leytze,  Mount  and  Eastman 
Johnson.  Of  the  foreign  works  are  examples  by  Hubner,  Robbe, 
Verboekhoven,  Tintoretto,  Van  Schendel,  Florent  Willems,  Ziem, 
and  other  well-known  names.  New  York  has  been  favored  with  an 
unusual  number  of  picture  sales  during  the  past  season,  and  that  of 
the  Beaumont  collection  will  undoubtedly  prove  one  of  the  most 
attractive  that  has  yet  been  offered. 

From  the  New  Tork  “  IV or  Id” — Art  Matters. 

Among  connoissieurs  of  the  fine  arts  few  names  have  become 
more  widely  known  in  New  York  than  that  of  J.  P.  Beaumont. 
For  over  forty  years  he  has  devoted  unceasing  attention  to  the  im¬ 
portation  and  sale  of  the  best  specimens  of  the  work  of  modern 
artists.  He  has  determined,  however,  we  understand,,,  to  .retire 
from  the  business  in  which  he  has  become  so  well  and  favorably 
known,  and  there  is  a  probability  that,  at  no  late  day,  his  large  col¬ 
lection  of  pictures  will  be  brought  to  the  hamtner.  The  event 
will  prove  an  interesting  one  in  art  circles.  Chosen  with  the  rare 
knowledge  and  appreciation  of  an  artist,  the  pictures  present  a  series 
of  representative  works,  whose  value  cannot  be  over  estimated. 
Many  of  these  pictures,  of  which  there  are  some  400,'  have  never 
been  seen  outside  of  Mr.  Beaumont’s  private  gallery,  and,  should 
they  be  exhibited  and  sold,  the  exhibition  and  sale  will  rank  in 
public  interest  with  the  most  important  of  those  that  have  gone 
before  it. 


v.  ' 


.• 


,-rt  r;..  '  ! 

vi  s'  .  : 


Catalogue 


The  letter  “  d,”  prefixed,  to  a  date  signifies  the  year  of  the 
Artists’  decease. 


CLAESSENS  (A.) 

1  Dog  with  Hare. 

SIGNED  (M.  C.) 

2  The  Wine  Cellar. 


CORNET  (A.) 

3  The  Flemish  Girl. 

CARPENTERO. 

4  Fowls. 

VAN  DEIGHEM  (J.) 

5  Interior  of  a  Stable. 

VAN  DEIGHEM  (J.) 

6  Landscape  with  Animals. 

VAN  W¥NGAERDT. 

7  The  Forest  Side. 


1 


6 


NEAGLE  (John.) 

8  Portrait  of  Col.  Richard  M.  Johnson. 

Inscribed  on  the  back :  “  Painted  from  life  by  Joh 
Frankfort,  Kentucky,  March  9th,  1843.” 

He  was  Vice-President  of  the  U.  S.  under  President  Van  Buren, 
and  died  Nov.  19th,  1850.  Col.  Johnson  was  famous  as  a  breeder 
and  improver  of  Race  Horses,  and  obtained  celebrity  as  the  Father 
of  the  American  Turf. 


BEECHY  (Sir  Wm.) 

9  Portrait  of  Miss  Mellon,  afterw 
St.  Albans. 


uchess  of 


Purchased  of  C.  Baxter,  the  Artist,  in  London  in  1855,  who  had 
kept  it  by  him  as  a  study  of  color  for  1  5  years. 


e 


SNYDERS,  (d.  1657.) 

10  The  Depredator. 

SCHEERES,  (d.  1864.) 

1 1  The  Jewel  Merchant. 

SCHEERES.  (d.  1864.  ) 

12  The  Guard  Room. 

De  VOS  (Victor.) 

13  An  Unexpected  Visitor. 


’’De  VOS  (Victor.) 

14  Traveling  Performers. 


7 


SPOHLER  (J.  C.) 

1 5  View  near  Leyden,  Holland 

SPOHLER  (J.  C.) 

16  The  Companion  to  do. 

STUART  (Gilbert, 

17  Washington. 


Painted  for  Richard  K.  Meade,  Esq.,  U.  S.  Minister  to  Spain, 
and  sold  together  with  that  gentleman’s  fine  collection  of  paintings 
in  the  Pennsylvania  Academy  of  Fine  Arts,  in  1847. 

SCHOOL  OF  RAFFAELLE. 

18  A  rare  antique  painting  representing  the  Judge¬ 
ment  of  Paris. 


NEEFS  (Peter),  d.  1651. 

mm 

1  id 

19  Interior  of  a  Cathedral. 

.L 

- 

rx  ,  A  l  , 

WERFF  (Vander),  d.  1727 

* 

0/  • 

20  David  and  Bethsheba. 

CHAVET  (Victor.) 

2 1  The  Argument. 

FAUVELET. 

22  Lady  reading  a  letter. 


8 


SULLY  (Thos.) 
23^“  Reverie.” 


SPENCER  (Mrs.  L.  M.) 


24  Terrier  with  basket  of  fruit. 


/  ST) 

/  U( 


0 


COLE  (Thos.)  d. 

2  ^  Sunset  Landscape. 

DE  BEUL  (Laurf.nt.) 
26  Shepherd  with  flock. 

ZIEM. 


4  i 


27  Venice,  from  the  Terrace  of  the  English  Garden, 
embracing  view  of  the  Dogana,  and  entrance  to 
the  Grand  Canal. 


STROEBEL  <F.) 

28  Preparing  for  School. 

ARMFIELD  (G.) 
Setter  Dogs. 

HERRING  (J.  F.) 


\  K 


r~7  l 


I 


7.  30  The  Farm  Yard. 


\/  ,  K 

)  :.(  ) 

/  4 


9 


31 

f 

32 


MOUNT  (Wm.  S.),  d.  1868. 

“  On  Long  Island’s  Sea  girt  Shore 


DESHAYES  and  PECRUS  (C.) 
Terrace  in  the  Chateau  Park. 


DE  BEUL  (Laurent.) 
33  Landscape  with  Cattle. 


KLUYVER  (A.) 

34  Winter. 

KLUYVER  (A.) 

35  Spring. 


RIEGEN  (N.) 

36  Entrance  to  the  Meuse —  A  Calm. 

RIEGEN  (N.) 

37  Running  into  Harbor  A  stiff  breeze. 

BACHELIN  (A.) 

38  A  Bashi  Bazouk 


,  •*-sj  /  11 


DE  BEUL  (Henri.) 
39  The  Cottage  Porch. 


10 


DE  BEUL  (Henri.) 
40  The  Dove  Cote. 
VERTIN  (P.) 


/i° 


r 

41  Street  view  in  Amsterdam 


VERTIN  (P.) 

42  Companion  picture 

BIERNAERT  (E.) 


US' 


43  Landscape  with  flock  of  sheep. 

The  figures  are  painted  by  Edmund  Tschaggeny. 

10 


$ 


V 


ft 


BECKER  (Carl.) 

44  Love’s  Telegraph. 

SULLY  (Thos.) 

45  Portrait  of  President  Madison. 

The  picture  from  which  the  engraving  was  taken. 

DA  TIVOLI  (Rosa.)  d.  1705. 

ff 

46  At  the  Drinking  Fountain. 
BEAUMONT  (  J.  P.)  1836. 

47  On  the  Banks  of  the  Hudson. 


f 


? 


fainted  on  the  spot  one  mile  south  of  Yonkers.  The  locality  is 
now  a  thickly  populated  suburb  of  New  York,  whereas  at  the  time, 
but  a  solitary  farm  house  could  be  seen  within  the  above  distance. 


VD 


11 


MIGNARD  (Pierre)  d.  1668 

48  Madonna  and  Child. 

PANNINI  (Paul.)  d.  1758. 

49  Italian  Ruins. 

This  and  the  preceeding  number  were  brought  from  Rome  ejirly 
in  the  present  century,  by  a  Canon  of  the  Cathedral  of  Wurzburg, 
from  whose  Executor  they  were  purchased  for  this  collection,  in  that 
city  in  1845.  The  latter  picture  requires  a  little  reparation. 

WYCKE  (Thomas.)  d.  1686. 

50  A  Seaport  in  the  Mediterranean. 

PALMEDES  (Anthony.)  d.  1680. 

51  The  Young  Prince,  Dated  1656. 

Purchased  in  Holland  at  the  sale  of  the  great  collection  following 
that  of  the  King’s  Gallery  in  August,  1850. 

L’ALLEMAND  17th  Century, 

52  The  Chateau  Park. 

A  rare  work  by  a  very  rare  artist,  purchased  by  Mr.  Beaumont  at 
the  sale  of  the  Nilkheim  Gallery  in  Bavaria,  in  1847.  The  entire 
collection  were  said  to  have  remained  undisturbed  for  upwards  of  a 
century. 

HUNTINGTON  (Daniel.) 

53  New  Hampshire  Scenery. 


Since  the  picture  came  into  Mr.  Beaumont’s  possession,  some  1  5 
years  ago,  it  has  received  the  most  unqualified  approbation  from 
distinguished  Foreign  Art  Critics. 


)  7  V 


I 


12 


yj 

i 


i 


% 

y 


CHURCH  (F.  E.)  1847. 

54  Sylvan  Lake,  Catskill  Mountains. 

Painted  for  an  esteemed  citizen  of  Hartford,  Conn. 


rroJ 


ERDMAN  (Otto.) 


55  The  Passing  Regiment. 


Painted  to  order  for  this  collection  in  1867 


De  BEUL  (L. 

56  The  Young  Fisherman 


CUYP  (The  Elder.)  d.  1650. 
57  Boy  Holding  a  Parroquet. 


POURBUS  (F.)  d.  1622. 
58  Portrait  of  a  Young  Girl, 


/  /  2). 


BRIL  (Paul.)  d.  1626. 

59  Landscape,  with  Cascade. 

BERKHEYDEN, 

60  Highly  Finished  Landscape,  with  Figures. 

AMICONI  (J.) 


; 


i 


61  Head  of  the  Madonna. 


) 


ZUCCHERELLI  <F.) 

■P  .  ,  .  j 

62  Landscape,  with  Figures,  d.  1788. 

.  C _ 

ZUCCHERELLI  (F.) 

6}  Landscape,  with  Figures,  d.  1788. 

LAIRESSE  (Gerard),  d  1711. 

64  Young  Hannibal  swearing  eternal  War  against 

the  Romans, 

GONZALES. 

65  Mother  and  Child,  d.  1684. 


Purchased  in  Europe  from  a  Celebrated  Collection,  in  1839. 

VERENDAEL  (N.) 

66  Flowers 

i 

DE  CHAMPAGNE  (Philip)  d.  1674.  , 

67  Portrait,  dated  1660. 

> 

MORRIS  (Alfred) 

U  I 

68  Hunting  in  the  Highlands  of  Scotland 

f  f 

KOEKKOEK  (Martinus  A.) 

69  View  near  Aix  la  Chapelle. 


/ 


/  A 

/y 


KLUYVER,  (A.) 


70  Winter  Scene. 


14 


KOEKKOEK  (J.  H.  B.) 

71  A  Calm  on  the  Meuse 

KOEKKOEK  (J.  H.  B.)  / 

72  The  Entrance  to  the  Scheldt. 

De  BLOCK  (Eugene) 

73  The  Toilet. 

De  JONGHE  (Gustave) 

!  0*  “ 

74  A  Morning  Call.  .i  ^ 

LEICKERT  (C.) 

77  Hauled  Up  for  Repairs. 

LEICKERT  (C.) 

76  Evening  Twilight 


- 


HERREBART  (G.) 

9  f 

77  View  in  Haerlem,  Holland.  A  JJ 

'U ) 

HERREBART  (G.) 

0* 


78  View  in  Haerlem,  Holland. 


SEBES  (  A.) 

79  Effect  of  Candlelight. 


M  • 


A 


EECKHOUT  (J.  J.) 
80  An  Academy  Study. 


15 


EECKHOUT  (J.  J.) 
81  An  Academy  Study. 


LEIDENSDORFF, 
82  Bas  Relief! 


CLAESENS  (A.) 

83  Dog  and  Cat. 

VAN  DIEGHEM  (  J.) 


84  Sheep  in  an  Approaching  Storm. 


VERTIN  (P.) 

85  Street  View  in  the  Hague. 


VERTIN  (P.) 

86  Street  View  in  the  Hague,  to  match. 

u, 

De  VOS  (V.) 

87  Performing  Dogs. 


WAARDEN  (Vander.) 
88  Fruit  and  Flowers. 


e 


16 


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J  lAj 


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is 


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WAARDEN  (Vander.) 

89  Companion  picture. 

MEYERHEIM  (W.) 
go  Hamburg  on  the  Elbe. 

VON  SEBEN  (H.) 

91  Homeward  through  the  snow. 

SAUVAGE  (P.) 

92  Baking  Waffles. 

COLE  (Thomas.)  d. 

93  The  Valley  ot  Vancluse,  (Dated  Rome,  1841.) 

This  grand  work  of  the  first  Landscape  Painter  of  his  day  was 
Exhibited  the  following  year  in  the  New  York  Academy’s  Anual 
Exhibiton,  where  it  received  the  highest  encomiums  from  the  Press. 

BURGERS  (Hein.)  j  /  > 

94  A  Summer  Afternoon.  .  ^  k  7 sir  fay  i 


0 


TSCHAGGEN Y  (Charles.) 


hey 

95  An  Equipage  of  the  17  th  Century.  '/jQ 


96 


REYNTIENS  (H.  E.) 
Le  Sabre  de  mon  Pere 


-r 

.  P  Jss 


/ 


As 


17 


LAROCHE  (A.) 


97  Gathering  Wild  Flowers. 


EVERSEN  (A.) 
98  View  near  Delft. 


2,£ 


99  View  in  Holland. 
ARMFIELD  (George) 


HERREBART  (G.) 


/ 


100  Spaniel  and  Terrier. 


BACKHUYSEN  (Vandee  Sande)  ^ 


101  A  rich  Flower  Piece. 


WILLEMS  (Florent),  &  VAN  HOVE  (Victor.) 


102  An  interior  representing  a  Lady  seated  at  Table, 
and  a  Servant  arranging  before  her  a  Vase  of 
Flowers. 

This  was  one  of  the  last  works  executed  by  Van  Hove,  the  most 
celebrated  Interior  painter  of  Europe,  previous  to  his  decease.  A 
note  from  Florent  Willems  in  relation  to  his  portion  of  the  Picture, 
(The  Figures),  was  received  a  few  months  past,  and  will  be  handed 
to  the  purchaser. 


CIGNANI  (Carlo),  d.  1719 
103  Venus  and  Adonis. 


Purchased  at  the  sale  of  the  “Nilkheim”  Gallery  in  1847.  It 
has  an  European  reputation  as  the  finest  known  work  of  Cignani  and 
it  is  in  a  perfect  state  of  preservation. 


18 


ROLFE  (H.  L.) 

104  Salmon  and  Trout. 


ROLFE  (H.  L.) 


105  A  Good  Day’s  Sport. 

As  is  well  known  in  the  Art  World,  Rolfe  has  for  more  than 
twenty  years  made  a  speciality  of  this  species  of  painting,  in  which 
he  is  held  to  be  unrivalled.  There  are  in  this  collection  no  less  than 
Five  of  his  works,  painted  specially  to  Mr.  Beaumonts’  order. 


MORRIS  (Alfrfd.) 


107  After  the  Hunt. 


KLUYVER  (A.) 


108  Winter  Scene. 


RIEGEN  (N.) 


109  Marine  View. 


RIEGEN  (N.) 

110  Companion  Picture.  [ 

VERONESE  (Alexander)  d.  1670. 

1 1 1  The  Martyrs 


Brought  from  Venice  by  a  well  known  merchant  of  New  York  in 
1833,  and  transferred  to  Mr.  Beaumonts’  possession  the  following 
year. 


19 


AN  ANTIQUE  OF  THE  ITALIAN  SCHOOL. 
1 1 2  The  Virgin,  Infant  and  St.  Elizabeth. 


STROEBEL  (F.)  The  best  pupil  of  Van  Hove. 
113  An  Interior. 


BODEMAN  (N.) 

1 14  The  Sand  Hills,  with  distant  view  of  Leyden. 
Holland. 


VON  SEBEN  (Elise.) 

115  Sketching  by  the  Sea  Side. 

DESAN  (E.) 

116  Cattle  in  Pasture. 


DESAN  (E.) 

117  Companion  Picture. 

De  LEUB  (Francois.) 

j 

118  The  Spinning  Wheel." 

De  LEUB  (Francois.) 

119  Blowing  Bubbles. 


MASWIENS  (J.) 


120  Interior  of  the  Church  of  St.  Lesmos  in  Spain. 


MASWIENS  (J.) 

121  The  Cathedral  of  Segovia  in  Spain. 


BODEMAN  (A.)  and  VERBOECKHOVEN  (E.) 

122  A  Forest  with  Deer. 

The  Animals  are  painted  with  an  unusual  degree  of  finish  by  the 
latter  Artist. 


HUYGENS  (Chevalier.) 
123  Fruit,  Flowers  and  Gam 


A 


DEVERIA  (Eugene,)  d. 

1 24  Apotheosis  of  Lord  Byron. 


ZUCCHERO.  (d.  1609.) 


25 


Curious  antique  Portrait  of  a  Lady  of  the  Court 
of  Oueen  Elizabeth. 

«v 


Purchased  at  the  sale  of  the  Art  effects  of  the  late  writer,  J. 
Fenimore  Cooper.  It  was  stated  to  have  been  presented  to  him  by 
Bishop  Luscomb  when  in  England,  and  was  preserved  by  him 
hanging  over  the  Mantelpiece  in  his  Library  at  Cooperstown, 
Otsego  Co.,  N.  Y. 


DOMENICHINO.  (d.  1641.) 

126  A  Magdalen  Reading. 

This  ancient  Painting  was  retained  by  the  late  well  known  Artist 
and  Connoissieur,  Gherlandaio  Marsiglia,  for  some  twenty-five  years 
previous  to  his  decease  as  a  genuine  specimen  of  the  Master,  and 
was  then  purchased  of  his  widow  for  this  Collection. 


21 


HULK  (A.) 

1 27  Making  for  Port. 

VERTIN  (P.) 

128  View  in  the  Hague. 


TINTOiyETTO.  (d.  1594.) 

129  A  Scriptural  Subject. 

LOTTI  (Carlo.  )  d.  1698. 

/ 

130  Emblem  of  Time. 


SHAYER  (Henry.) 

131  The  Gipsey  Dell. 

WALRAVEN  (J.) 

132  Grandmother’s  Birthday. 

JOHNSON  (Eastman.) 

133  “The  Bottle.” 


De  JONGHE  (Gustave.) 
134  The  Chimney  Corner. 

EBEL  (F.) 

13^  The  Trout  Brook. 


IS~\ 


22 


'j-r 


EBEL  (F.) 

136  The  Forest  Side. 

DEVAUX.  VJ.) 

137  Interior. 

VAN  OS  (P.  F.) 

138  The  Hay  Wagon. 

SAUVAGE  (P.) 

139  Husking  The  Corn. 

MOMPERT  AND  BRUEGHEL,  (d.  17th  Cen- 

tury.)  '->7  ' 

140  Landscape  with  Cavern  and  numerous  figures  by 

the  latter  artist. 

DeBYLANDT,  (Count  A.)  A  J 

141  The  Rosenlaui  Mt.  and  Glacier, ’"'S'vmzerland. 


-3o  6 


DeVOS  (Victor.) 

142  Performers  Regaling. 

VAN  HAMME  (A.) 

143  The  Waffle  Seller  of  Rotterdam. 

GIRARDET  (Karl.) 

144  View  on  the  river  Marne,  France. 


U^J  / 

Ik) 

: 


s 


I 

ft 


23 


GIRARDET  (Karl.) 

145  View  on  the  Lake  Geneva. 

VAN  BORSELEN  (J.  W.) 

146  Clouds  and  Sunshine. 

NOTERMAN  (Zachary.) 

147  The  Beggar’s  Petition. 

REYNTIENS  (H.  E.) 

1 48  The  rehearsal. 

REYNTIENS  (H.  E.) 

149  A  Game  of  Chess. 

CARPENTERO. 

1 50  Landscape  with  Sheep,  &c. 

CARPENTERO. 

151  Fowls,  &c. 

I 

SCHELFHOUT  (A.) 

152  Winter  Landscape. 

HEMSKERCK  (M.)  d.  1574. 

153  Boors  Carousing. 

j 


7- 

/* 


Q 


r 


21 

HEMSKERCK  (M.)  d.  1574. 

1 C4  Boors  Carousing. 

MANS  (F.)  d.  17th  Century. 

155  View  on  a  Canal  in  Holland. 

BRUEGHEL  (P.)  d.  17th  Century. 

156  Cavaliers  on  the  Road. 


sj  1 


SWANEVELDT  (Herman.)  d.  1680. 
157  Evening  Landscape. 

ORIZONTI.  (d.  1740.) 

1*58  Oval  Landscape. 

From  the  Collection  of  the  late  Artist  S.  L.  Waldo. 

LEUTZE  (E.) 

159  Portrait  of  a  Lady. 

Painted  in  Philadelphia  about  the  vear  184a. 

SCHOOL  OF  VANDYKE. 

160  A  Head. 

VELASQUEZ  (d.  1660.)  Y 

161  Head  of  a  Spanish  Boy. 
SCHERMERS. 

162  Preparing  the  Table.  " 


‘>K 


DeJONGHE  (Gustave.) 
163  The  Pet  Spaniel. 


DeBEUL  (H  ENRI.) 

164  Interior  with  Fowls. 

HERRING,  Sen.  (J.  F.) 

165  The  Frugal  Meal. 

VAN  OS  (P.  F.) 

166  Feeding  Time. 


ROSIER  (A.) 

167  View  on  the  Bosphorus. 


ROSIER  (A.) 

168  Companion  to  the  above. 


ROLFE  (H.  L.) 

169  Salmon  and  Trout. 

ROLFE  (FI.  L.) 

170  A  Fine  Catch. 

ROBBE  (Louis.) 

171  Landscape  with  Sheep  and  Lambs. 


A  chef  d’aeuvre  of  the  Artist  painted  in  his  best  time  about  20 

years  ago. 


28 


KOEKKOEK  (H.) 

189  A  Beautiful  Miniature  Landsfca 


!t 


KOEKKOEK  (IT.) 

9  o  Companion  to  the  Above. 


VAN  DEIGHEM  (J.) 

191  Landscape  with  Sheep,  Ac. 


VAN  DIEGHEM  (J.) 

192  do  to  Match. 

STROEBEL  (F.) 

193  An  Interior. 

EVERSEN  (A.) 

194  Ancient  Buildings  in  Leyden 


VAN  HAANEN,  (J.) 
195  A  Gleam  of  Sunlight. 


VAN  WYNGAERDT  (A.  J.) 

196  Landscape  with  Figures. 

VAN  WYNGAERDT  (A.  J.) 

197  do  to  Match 


29 


SCHIEDJES. 

198  A  Stiff  Breeze. 

LEICKERT  (C.) 

199  Winter  in  Holland 

GRAY  (K.) 

200  The  Village  Belle. 

HILVERDINCK  (J.) 

201  A  Fishing  Party. 

VAN  MOER. 

202  An  Interior. 


The  figures  painted  by  Eugene  DeBlock. 

KOEKKOEK  (Martinus  A.) 

203  Landscape  with  Figures 

KOEKKOEK  (Martinus  A.) 

204  Companion  Picture 

TSCHAGGENY  (Charles) 

205  Watering  Horses. 

ANDERSON  (Walter.) 

206  A  Fond  Delusion. 


M  )m  - 

DE  HEUVEL  (Theodore. 

207  The  dancing  lesson. 

HOFF  (Carl.) 

208  A  rich  Interior. 


BACKHUYZEN  (Mlle.  Van  De  Sande.) 


209  A  group  of  Roses 


This  lady  is  esteemed  as  one  ol  the  first  of  living  artists  in  her 
department.  The  picture  was  painted  to  order  and  is  of  very  high 
Cost. 


AMBERG  (W.) 

210  Expectation. 

AMBERG  (W.) 

211  “  Why  don’t  he  come 


GENTZ  (W.) 

212  The  market  in  Cairo. 

Gentz  holds  the  same  position  among  the  artists  of  Germany  as  is 
held  by  Gerome  among  the  French,  his  works  are  rare  and  much 
sought  after  and  very  costly.  The  present  is  unquestionably  one  of 
his  most  important  works  and  gives  a  faithful  glimpse  oflife  in  Egypt. 


6&d 


HILL  (J.  J.) 

213  At  the  Spring. 

But  very  few  artists  of  the  English  school  enjoy  a  more  favorable 
reputation  than  the  painter  of  this  little  Gem. 


BODDINGTON  (H.  J.)  n. 

214  A  Summer  Evening. 

Pasmore  (D.) 

215  “Good  morrow,  fair  Hostess.” 


VAN  WYNGAERDT  (  P.) 
216  The  Coiffeur. 


dl-  I  Otv  -  Itw-iy* ,  ,  ^ 

VERBOECKHOVEN  (Eugene.)  r  w  \  "1  fry 

217  Sheep  and  Lambs  reposing.  '  W  J 

KUPETSKY  (J.) 

& 

218  Portrait  of  the  Celebrated  German  author,  Gel- 

lert. 


RONSDORP. 

219  Street  view  in  Holland. 


SHAYER  (W.  J.) 

220  View  on  the  Thames. 


3o 


MARCELLUS  (Otho.)  d.  1673.  / 

22i  Poppies,  &c. 


This  very  elaborate  work  was  purchased  at  the  sale  of  Collection 
of  the  late  Connoisseur  Michael  Paff. 


32 


ROKES  (H.  M,),  called  Zorg,  or  The  Careful 

d.  1682. 

222  A  Flemish  Interior. 

- MEADOWS  (J.  E.) 

223  A  Cottage  in  Surrey. 

MOREL  (J.  E.) 

224  The  Road  through  the  Forest. 

RIEGEN  (N.) 

225  The  Port  of  Amsterdam 
SPOHLER  (J.  J.  C.) 

226  Afternoon  near  Haerlem. 

SPOHLER  (J.  J.  C.) 

227  Winter  Scene. 

KLUYVER  (A.) 

228  Evening  Landscape. 

GRAY  (K.)  m  .  *0 

fir 

229  Fern  Gatherers  in  Wales. 

ARM  FIELD  (George.) 

230  Spaniels  after  a  Pheasant. 


VAN  BALEN  (Henry.)  d.  1632. 
231  Diana  and  Calista. 


The  background  in  this  beautiful  representation  of  the  weli 
known  subject  from  ancient  Mythology  was  painted  by  Jan 
Brueghel,  called  Brueghel  de  Velours. 

CARRACCI  SCHOOL,  d.  1609. 

232  Attributed  to  Annibal  Carracci,  a  study  from  life. 
CARRACCI  SCHOOL. 

233  Companion  Picture. 

The  above  two  Paintings  were  purchased  from  the  sale  of  Eugene 
Beauharnois’  Collection,  which  took  place  in  Munich  in  1816,  by  a 
celebrated  Professor  of  that  city,  from  whom  Mr.  Beaumont 
obtained  them  in  1848. 

MIREVELDT  (M.)  d.  1641. 

234  Elizabeth  of  Bohemia. 


This  fine  portrait  of  the  sister  of  Charles  I.  was  obtained  in  1839 
in  Germanv.  It  was  said  to  have  been  removed  from  one  of  the 
Royal  Palaces  which  was  burnt  during  the  wars  of  Napoleon  I. 
The  frame  is  an  original  carving  of  the  Period. 


MEULEN  (Vander.)  d.  1690. 
235  A  Grand  Battle  Scene 

KLOMBECK  (J.  B.) 


236  View  near  Aix  la  Chapelle. 

This  Artists’  works  are  now  held  in  the  highest  estimation  and 
approach  in  value  those  of  his  late  master,  B.  C.  Koekkoek. 


34 


ANCIENT  ITALIAN  SCHOOL. 

237  Head  of  the  Madonna. 

CARPENTERO. 

238  Landscape  with  Sheep  and  Goats. 

CLAESSENS,  (A.) 

239  Birds  on  the  Tree. 

CLAESSENS  (A.)  ^ 

240  Birds  on  the  Tree  to  Match. 

BRASCH  (J.)  o. 

241  Dead  Birds. 

|  [CARPENTERO. 

242  Chickens. 

CARPENTERO. 

243  Chickens. 

ABSHOVEN.  (d.  17th  Century.) 

244  Interior  of  a  Cabaret. 

ABSHOVEN.  (d.  17th  Century.) 
243  Companion  Picture. 


35 


7 

SCHUTZ  (J.  G.)  d.  1791. 

246  View  on  the  Rhine.  (On  copper.) 


OLD  ITALIAN  SCHOOL. 
247  An  Allegorical  Figure. 


BROWER  (A.)  d.  16 
248  Man  Lighting  his  Pipe. 


SCHELFHOUT  (  A.) 

249  A  Study  in  the  Bois  de  la  Haye. 

CARRE  (Michel.)  d.  1728. 

250  Going  to  Market. 


KOBELL  ( J. )  d.  1740. 


251  Head  of  an  Ox. 

CARRACCI  (L.)  d.  1619. 

252  The  Penitent  Magdelen 


POEL  fVANDER.  )  d.  1690. 

253  Night  on  the  Sea  Shore. 

VAN  CRAESBECK.  d.  1668. 
2^4  Interior  of  an  Ale  House. 


43  3  3  i  A^aJ 


36 


) 


/ .  i/ 
J 


■ 


OEKKOEK  (W.) 

255  Town  View. 

TAYMANS  (L.) 

256  Attiring  the  Bride. 

KOOIMANS  (W.  C.) 


/ 


r\  257  Landscape  with  Cattle. 

KOOIMANS  (W.  C.) 

.-o  \.IJ  258  Companion  to  Landscape  with  Cattle. 


/ 


//  fl. 


1 


e  BEUL  (Laurent.) 

2^9  Shepherd  and  Flock.  Morning. 


GRAY  (K.) 

260  The  Fisherman’s  Family. 

STUART  (Gilbert.) 

261  Mrs.  Robert  Morris  purchased  by  Mr.  Beaumont 


/ 


in 


1834. 


CHAVET  (Victor.) 

262  The  Connoisseur. 

PERCY  (Sydney  R.) 
j  263  Morning  in  North  Wales. 


f  r 


37 


PERCY  Sydney  (R.) 


264  Landscape  Companion  to  Morning  in  North 
W  ales. 


llO 


HERRING  (J.  F.) 

265  The  Farm  Yard. 

ARMFIELD  (G  EORGE.) 

266  A  Dangerous  Playmate 

BODDINGTON  (H.  J.) 

267  On  the  River  Usk. 

HENZELL  (J.) 

268  Waiting  for  the  Boats. 

LITSCHAUER  (R.  J.) 

269  The  Antiquarian. 

Commissioned  for  this  collection,  in  Dusseldorf,  in  1867,  and  bv 
artist  himself  considered  his  master-piece. 

GALLOWAY. 

270  Lost  in  the  Woods. 


BEWER  (C.) 

271  The  Youth  of  Tasso. 


This,  the  latest  work  of  the  celebrated  Professor  of  the  Dussel- 
dorf  Academy,  was  commenced  in  1867  and  hnished  to  order  for 
this  collection  in  December  last.  Since  the  advent  of  the  famous 
Dusseldorf  Gallery  to  this  country,  many  years  since,  which  con¬ 
tained  two  fine  specimens  of  tne  artist  (one  of  them  similar  in 
subject  to  the  present)  hut  little  has  been  seen  of  his  works  her'', 
while  in  Europe  they  are  sought  after  for  the  most  recherche  col 
cctions. 


VON  SEBEN  (H.) 

272  Hide  and  Seek  among  the  Grain. 
De  BYLANDT  (Count  A.) 

273  The  Lake  of  the  Four  Cantons. 
KRUSEMAN  (J.  A.) 

274  Italian  Girl' with  Fruit. 

4 

275  Feeding  the  Ducks. 

ROTTEKEN  (C.) 

276  View  on  the  Lago  di  Guard; 

MORRIS  (Alfred.) 

277  Scotch  Mountain  Sheep. 

SCHOOL  OF  TITIAN. 

278  Venus  rising  from  the  Sea. 


3/0 


O  ,r) 
jJlJ 


Purchased  at  the  sale  of  Lord  Northwick,  at  Thirlstane  House  in 
1858,  which  occupied  twenty-one  days. 


'< 

u 


DELCROIX. 

279  Interior  with  Lady  sewing 

PALAMEDES,  d.  1638. 

280  Soldiers  off  Guard. 

De  La  HIRE  (L.)  d.  17th  century.  /A 


0  / 

j 


281  A  Pastoral. 


/  u 


CROME  ( W.) 

282  Sunset  Landscape. 


30 


SPOHLER  (J.  J.  C. ) 

283  Winter  Scene. 

SPOHLER(  J.  J.  C. ) 

284  View  near  Rotterdam. 


BOURGUIGNON  (J.)  d.  1676. 
-j 

287  Battle  Scene. 

ROBBE  (Louis.) 

286  Landscape  and  Cattle  Sketch. 


CLAESSENS  (A.) 
287  Dog  with  Game. 


Zd 


TILMES  (J.  M.)  . 

288  Landscape  with  Boy  Fishing. 

STROEBEL  (F.) 

289  Clearing  the  Table. 

RILEY  (J.)  9A 


290  A  Fancy  Head. 


M 


40 

DUVIEUX  (H.) 

291  The  Dogana,  Venice. 

DUVIEUX  (H.) 

292  Halt  of  Pilgrims  before  Mecca. 

GYSELINCK  (J.) 

293  Child  with  Doll. 

LEICKERT  (C.) 

294  Winter  in  Holland 

HERREBART  (G.) 

295  The  Brook  Side. 

De  BEUL  (Henri.) 

296  Fowls,  &c. 

CALAME  (A.) 

297  Study  of  Rocks. 


6'/ 


Jj  '  j  -  i6;m 


ifS 


Purchased  from  the  sale  in  Paris  on  his  decease.  No.  122  on  the 
Catalogue  of  his  Works. 

DESAN  (E.) 

298  The  Farm. 

De  BYLANDT  (Count  A.) 

299  Fishing  Vessels  off  Ushant 


41 


!/JJ 


REIGEN  (N.) 

300  The  Port  of  Antwerp. 

g  CARABAIN  (J.) 

301  View  on  the  Upper  Rhine. 

MORE  (Sir  Antonio.)  d.  16th  Century. 

302  Portrait  of  a  Nobleman,  with  date  1580  an4 

motto  “Sans  Changer.’ 

ARMFIELD  (G.) 

» 

303  After  the  Rat. 

LUYCKX.  y 

304  Cottage  Interior. 

The  figures  pointed  by  P.  Knarren,  deceased. 

EVERSEN  (A.) 

305  View  in  Dort — Winter. 


J'lO 


.  _  jJLA 


f 


WHITTLE  (Thos.) 

306  The  Trosachs,  Scotland. 
WHITTLE  (Thos.) 

307  Evening  Sunshine. 

KOEKKOEK  (H.) 

308  Landscape  Composition. 


42 


DILLENS  (Henri.) 

309  Baby  and  Nurse.  j 

VAN  DEIGHEM  (J.) 

{  1  ^ 

310  Landscape  with  Sheep 


SO 


/ 


1/ 


COYPEL  (N.)  d.  1737. 
31 1  Mythological  Subject. 


OUELLINUS  (E.,  The  Elder.)  n.  1678 


312  Children  with  Lamb. 


SCHOOL  OF  TENIERS. 
313  Landscape  with  Figures. 


De  WIT  (d.  17 50.  ) 


314  Abraham  and  Isaac. 


RUYSAEL  (Solomon.)  d.  1670. 
315  Landscape. 


(5  . 


HALS  (F.)  d.  1666. 

316  Head  of  an  old  Lady. 

sku 


)l 


HAYES  (J.  M.) 
317  Girl  with  Fruit. 


& 


1, 


PLAS  (L.) 

318  Landscape  and  Figures. 

PLAS  (L.) 

319  Landscape. 

BORCKMAN  (A.) 

320  A  Lady  in  the  Cabinet  of  Curiosities.  y 

KNELL  (W.  C.) 

321  Evening  off  Yarmouth — Vessels  running  into 

Port. 

VANDERBURG  (A.)  Dated  1713. 

322  Portrait  of  a  Phrenologist, 

A  curiosity  as  showing  that  the  Science  of  Phrenology  was  studied 
at  an  earlier  period  than  generally  supposed. 

MARINARI  (P.)  d.  1715 

323  Venus  Reclining. 


STRCEBEL  (F.) 
324  An  Interior. 


7 


SPOHLER  (J.) 
325  On  the  Ice. 


44 


SPOHLER  (J.) 

326  Companion  to  the  above. 


DORENS  (L.  Van  Erven.) 
327  The  Album 


BRANDE  (Le  Jeune.)  d.  1795. 

328  Landscape  with  Figures. 

De  BEUL  (Laurent.) 

329  The  path  through  the  Grain  Field. 


jO 


v 


TENKATE (H  ERMAN.) 

330  A  Fisherman’s  Cottage. 

ERDMAN  (Otto.) 

331  Hesitation. 

GUILLEMIN  (A.) 

332  Grace  before  Meat. 

HAYS  (W.  J.) 

333  ~r  and  Pointer. 


/Though  a  comparatively  early  work  of  this  now  deservedly  cele¬ 
brated  Artist,  the  heads  of*  the  animals  show  a  fidelity  to  nature 
and  an  earnestness  of  expression  which  it  would  be  difficult  to  sur¬ 
pass. 


45 


KNARREN  (P.) 

334  The  New  Romance. 

WOUVERMANS  (P  ETER.  ) 

335  A  Horseman. 

ROLFE  (H.  L.) 

336  Salmon  and  Trout. 

KLUYVER  (A.) 

337  Landscape  and  Windmill. 

LEIKERT  (C.) 

338  View  in  the  Hague. 

LEIKERT  (C.) 

339  Gateway. 

De  BYLANDT  (Count  A.) 

340  A  Ferry  on  the  Moselle. 

TSCHAGGENY  (Charles.) 

341  Preparing  for  Market. 


/  if-0 


6  b 


mo 


The  chef-d’oeuvre  of  the  artist  who  has  received  various  medals 
of  distinction  for  his  works. 


/ 


(  /L-i 

a 


PLATTEEL  (Jan.) 

342  The  Broken  Sled. 

HUBNER  (Carl.) 

343  The  First  Grandchild. 


One  of  the  latest  of  this  artist,  painted  to  order  and  but  recently 
received.  It  is  perhaps  the  largest  and  certainly  one  of  the  finest 
now  in  this  country. 


HUBNER  (Jules.)  Son  of  the  preceding  artist. 


344  Paternal  Authority. 

\  , 


LAURI  (Fillippo.)  d.  1625. 


^  345  Repose  of  the  Holy  Family. 


Purchased  in  Bavaria  in  1850  from  the  collection  left  by  Privy 
Councilor  Scharold.  It  has  always  been  esteemed  by  the  proprietor 
as  the  finest  Gem  of  Antique  Art,  in  his  possession,  and  is  in  the 
most  perfect  state  of  preservation. 


KRUSEMAN  (F.) 


346  Winter. 


COBBETT  (E.  J.) 

347  A  Chat  by  the  Spring. 

One  ol  the  latest  works  ot  this  distinguished  artist,  painted  to 
order  during  the  past  year. 


CIGOLI  (d.  1617) 


Jt  348  David. 

i" 


'  \ 


i  /  _ 


iL 

47 

ROOS  (J.  H.)  d.  1685 

349  Landscape  with  Figures. 

The  figures  arc  painted  by  J.  Francis  Ermels.  The  picture  was 
purchased  from  the  “  Gros  ”  Collection  in  Bamberg  in  1848. 

DeBEUL  (Laurent.) 

350  Sheep  and  Goats  in  Pasture. 

RODGERS  (T.  R.)  Dated  1841. 

351  Sunset. 

STEEN  (Jan.)  d.  1689. 

352  A  Domestic  Lecture. 

DOUGHTY  (T  HOMAS. ) 

353  Landscape  with  Figures. 

Painted  at  his  best  period. 

BIRCH  (Thomas.) 

354  View  on  the  Schuylkill. 

The  following  8  pieces  of  Stained  Glass  were  pur¬ 
chased  inFreibourg  in  the  Schwartzwald,  Germany, 
and  were  said  to  have  been  obtained  from  a  dis¬ 
mantled  Chateau  belonging  to  the  family  of  Scha- 
wenburg  in  that  vicinity. 


48 


\ 


354a  Figure  of  a  Knight  in  Armor 


355 

356 

357 

358 


do. 

do. 

do. 

do. 

do. 

do. 

A  Crucifixion. 

“  In  Memoriam.” 


359  do- 

360  A  Knight. 


361  do. 


362  An  Antique  Chair  embossed  with  the  name  of 
Joannes  Rubens  and  date  1681. 


Apparently  belonging  to  the  same  set  as  the  one  preserved  in  the 
great  museum  of  Antwerp,  on  which  are  placed  the  palette  and 
pencils  used  by  the  artist,  Peter  Paul  Rubens,  of  whom  Joannes  was 
a  near  relative.  This  Chair  was  preserved  in  the  Ancient  family  of 
Wouters  of  Antwerp,  from  whom  Mr.  Beaumont  obtained  it. 


3^ 


364 


An  Antique  Tea  Set  of  silver  with  chased 
mountings  representing  the  Scottish  Thistle, 
about  130  years  old.  j  /  \3 


A  Bowl  with  Cover  of  very  ancient  Dresden 
Porcelain,  enamelled  and  painted. 


365  An  Unique  Engraving. 


Purchased  in  1832,  and  of  which  no  other  copy  can  be  found  by 
Mr.  Beaumont,  although  he  has  made  reserches  in  almost  every 
country.  It  represents  ancient  Jerusalem  with  every  known  His¬ 
toric  Building  which  it  contained,  and  every  event  of  Scripture 
History  which  occurred  in  that  city  is  represented,  comprising 
many  thousand  figures  of  the  most  perfect  execution,  many  of  them 
so  small  as  to  require  the  aid  of  a  magnifier  to  be  able  to  distinguish 
them. 


366 

367 

368 

359 

37° 

37 1 

372 

373 

374 

375 

376 

377 

378 

379 

380 

381 

382 


A  Knight’s  Cup  of  Silver  enameled  with  Gold 
coat  of  arms  inside  of  the  cover  and  date  1 5:61. 

A  beautiful  Bronze  group,  representing  Leda  and 
the  Swan,  (j  Pradier 

ditto 


ditto 

ditto 


Perseus  and  Andromeda, 

Pradier 

Penelope,  David  D’Angers 
The  Friends,  P.  J.  Mene 


A  beautiful  Bronze,  Stag. 


to’ 


P.  J.  Mene 


A  very  rich  old  Sevres  Set,  Clock  and  Candele- 
bra,  mounted  in  ormolu  time  of  Louis  XVI. 

A  marble  Figure,  Psyche  reclining,  trom  the 
Antique,  with  Pedestal.  Ternerani,  Borne 

A  marble  Bust,  Daphne,  with  Pedestal,  Mozier 

A  fine  Bronze,  The  Arts,  with  marble  Base 

A  Marble  Bust,  Washington,  Hiram  Powers 

A  ditto  Innocence,  Galt,  Rome 

2  Bronze  Groups,  Childhood,  Dumaige,  Paris 

1  Bronze  Arc-de-Triumphe 

1  Bronze  Pompeiian  Lamp  Inkstand 

1  Bronze  Group,  Madonna  della  Seggiola 

1  Ormola  and  old  Sevres  Card  Receiver,  from 
die  Royal  collection,  Paris,  time  Louis  XVI. 


/OS' 

tT~ 

f 

/V  d 

4-  o 

U)o  azx 

,&jf  h 


50 


\ 

383  1  Bronze  Deer  Barye,  Paris 

The  following  8  Paintings  are  Copies  from  favorite 
Geras  in  the  Dresden  Gallery.  They  were  painted  by 
the  best  Copyist  of  his  time  direct  from  the  originals 
and  used  by  him  as  models  from  which  to  make  other 
copies  when  ordered.  They  were  purchased  after  his 
decease  on  account  ot  their  great  merit  and  the  use  to 
be  made  of  them  for  Educational  purposes,  as  it  is  not 


every 

young  Artist  who  can  visit  Dresden. 

386 

The  Duet, 

after  Terburg 

387 

Woman  Sealing  a  Letter, 

> 

do 

Mieris 

388 

The  Lap  Dog, 

After  Mieris 

389 

A  Musical  Trio, 

do 

do 

390 

The  Guard  Room, 

do  Terburg 

39 1 

An  Argument, 

do 

Mieris 

39  2 

The  Violin, 

do 

do 

393 

The  Music  Party, 

do 

do 

• 

Drawings.  ' 

394 

Le  Coq  du  Village,  water  colors 

E.  de  Beaumont 

395 

The  Dinner  Party.  do 

do 

396 

A  Gust  of  Wind,  India  Ink, 

Van  Essling 

397 

Hawthorn  Blossoms  and  Birds  Nest, 

Water 

Color, 

W.  Cruikshank 

si 


398  Tropical  Birds,  Water  Color,  Larsch 

399  The  Baggage  Wagon,  India  Ink,  Van  Gingelen 

400  Cottage  with  Figures,  Sepia,  J.  Van  Stry 

401  Marine  View,  India  Ink,  C.  Waterloo 

402  Lake  Scene,  Whter  Color,  H.  Duvieux 

403  Marine  View,  Water  Color,  Opdenhoff 

404  Candlelight — Settling  Accounts,  India  Ink, 

J.  Meulemans 

405  Dancing  Bears,  India  Ink,  C.  J.  Hanfft.  1761 

406  Landscape  with  Figures,  India  Ink, 

P.  Kessler.  1832 

407  Candlelight,  “  Good  Night,”  India  Ink, 

J.  Meuleman 


408  Candlelight  Market  Scene,  India  Ink, 

J.  Meuleman 

409  The  Politicians,  India  Ink,  C.  Troost 

410  A  Gale  of  Wird,  India  Ink,  E.  Van  Essling 

41 1  Outward  Bound — Mouth  of  the  Thames,  Water 

Color,  W.  C.  Knell 

412  The  Old  Hulk,  Water  Color,  W.  C.  Knell 

413  View  in  Paris,  Water  Color,  C.  Richardson 

414  House  in  the  Wood,  India  Ink,  H.  G.  Ten  Cate 


52 


415  Schevening  Fish  Sellers,  Sepia,  H.  Meyer 

416  Cavalier  and  Lady,  Sepia,  P.  Kremer 

417  A  Light  Breeze,  India  Ink,  G.  Groenwegen 

418  A  Calm,  India  Ink,  M.  Schouman 

4 lq  Old  Bridge  on  the  Seine,  Water  Color, 

J.  COIGNET 

420  Landscape  with  Figures,  Water  Color,  Cost  $175, 

B.  C.  Koekkoek 

421  Animals  in  Pasture,  Water  Color,  J.  Van  Stry 

422  Frame  containing  five  pen  sketches  of  Animals 

purchased  at  the  sale  of  the  Verlinden  collec¬ 
tion,  E.  Verboeckhoven 

423  View  of  Dort  in  Winter,  Water  Color, 

A.  Vermeulen 

424  A  Cottage  with  Figures,  India  Ink,  Van  Drielst 
42  5  The  Cottage  Door,  pencil  drawing,  A.  V an  W el 

426  The  Port  of  Amsterdam,  Sepia,  M.  Schouman 

427  Man  with  Basket,  pencil,  Louis  Tilleman 

428  Preparing  for  Market,  water  colors,  Gerard 

T  ERLAAK 

429  Milking  Time,  a  very  elaborate  drawing  in 

India  ink,  A.  J.  Besters 


43° 


Setter  Dogs, 
ink, 


ditto 


P.  Dl  ELMAN 


43 1 

432 

433 

434 

435 

436 

437 

438 

439 

440 

441 

442 

443 

•444 

445 

446 

4+7 


A  Captain  of  the  Watch,  Sepia,  A.  Beckers 


The  Burgomaster,  rare  and  costly,  pencil, 


Marine  View,  Sepia, 
Dancing,  water  color, 
A  Goat,  pencil, 


Madou 
C.  Waterloo 
E.  Gabe 
E.  Verboeckhoven 


Flowers  and  Bird’s  Nest,  water  eolor, 

W.  Cruikshank 


Briar  Roses,  water  color, 

The  Siege  of  Leyden,  pencil, 


Village  Scene,  Sepia, 

The  Atelier  of  Titian,  pencil. 


W.  Cruikshank 

Prof.  J.  J. 
Eckhout 

J.  Theriot 

Prof.  J.  J. 
Eckhout 


The  Manor  House,  pencil,  P.  Van  Loo 

Almsgiving,  pencil,  J.  J.  Eckhout 

The  Village  Burgomasters,  Sepia.  C.  Troost 

The  Cedar  Bird,  water  color,  A.  Theyssen 

Environs  of  Bois  le  Due,  water  color, 

Henri  Knip 


Woody  Landscape,  India  ink,  B.  C.  Koekkoek 
Female  Head,  water  color,  Fisher,  of  Bristol 


54 


448 

Cattle,  pencil, 

Ravensway 

449 

Dead  Bird  and  Thistle,  water  color,  Flocton 

of  London 

450 

Near  the  Village,  India  ink. 

Van  Drielst 

45 1 

Landscape  with  the  effect  of 

• 

wind,  pencil, 

A.  SCHELFHOUT 

452 

Figure  Study,  pencil. 

J.  Van  Ness 

453 

Flemish  Peasants,  India  ink. 

Unknown 

454 

Ancient  Pencil  Drawing, 

B.  Van  Orlay 

455 

A  Large  Easel. 

456 

A  Gallery  Carpet,  only  seven 

days  used. 

PAINTINGS,  MOSTLY  ANCIENT. 


457 

Emblem  of  Summer, 

Leidensdorf 

458 

Emblem  of  Winter, 

Leidensdorf 

459 

The  Muse  of  History,  Bas  Relief 

460 

A  Spanish  Fair, 

SOLIMAKER 

461 

Virtue  and  Vice,  an  Emblem, 

Otho  Venius 

462 

Moonlight  Landscape  on  Copper. 

463 

Representing  the  Golden  Age. 

An  ancient  painting  similar  (but  with  variations)  to  the  Giorgioni 
n  the  Louvre  . 


55 


464  Winter  Landscape  and  Figures,  W.  Kierings 


465  Landscape  and  Figures, 

466  do 

467  Apollo  and  Marsvas, 

468  Dead  Game, 

469  Bathing  at  Ostende, 


Carpentero 

do 

J.  Beich 
Brasch 
Victor  Eckhout 


470  Madonna  and  Child,  on  Copper,  Rothenamer 

47 1  Sheep,  &c.,  F.  Van  Severdonck 

472  Landscape  with  Cattle,  L.  De  Beul 

473  The  Pet  Lamb,  L.  De  Beul 

Note. — The  above  two  paintings  were  painted  in  the  eariy  part 
of  this  artist’s  career  from  studies  of  Louis  Robbe  and,  therefore, 
cannot  be  called  strictly  original  works. 

474  A  Young  Girl,  a  copy  of  the  Period, 

after  Greuze 


475  Landscape  with  Sheep,  &c., 

476  A  Kitchen  Maid, 

477  Small  Landscape, 

478  A  Small  Landscape, 

479  A  Portrait, 

480  Female  Half  Length, 


Carpentero 
Unknown 
Unknown 
Unknown 
Gaspar  De  Crayer 


Ancient  Painting 


481 

Mythological  Subject, 

do. 

do. 

482 

Spanish  Boys, 

do. 

do. 

483 

A  Landscape, 

do. 

do. 

484 

Historial  Subject, 

do. 

do. 

485 

Boys  Portrait, 

do. 

do. 

486 

Holy  Family, 

do. 

do. 

487 

Reclining  Figure, 

do. 

do. 

488 

Marine  on  Panel, 

Ancient  Painting 

489 

Interior, 

Modern 

490 

A  Landscape, 

Ancient  Painting 

49i 

do. 

do. 

do. 

492 

Lot  of  7  old  Pictures. 

493 

Interior, 

Ancient  Painting 

494 

Figures, 

do. 

do. 

495 

Fiowers, 

do. 

do. 

496 

Flemish  Kitchen, 

do 

do. 

497 

Battle  Sketch, 

do 

do. 

498 

In  Monochrome, 

499 

do. 

o 

0 

Landscape, 

501  Landscape. 

502  do. 

503  Byzantine  Madonna, 

504  Portrait. 

505  The  Prodigal  Son. 

506  Return  from  Market,  Modern 

The  following  twenty-one  numbers  are  mostly  large 
Gallery  Pictures  which  have  been  for  many  years, 
since  their  purchase  in  Europe,  rolled  up.  The  roll  is 
supposed  to  contain  several  paintings  of  great  specula¬ 
tive  value  and  will  be  opened  after  the  sale  of  the 
Drawings  is  concluded. 

507  The  Education  of  Bacchus. 

508  Mythological  Subject. 

509  Landscape  and  Figures. 

510  Landscape  and  Figures. 

511  Naval  Engagement. 

512  Architecture  and  Figures. 

513  Italian  Seaport. 

514  do 

515  Historical  Subject. 

516  Ceres. 


fi  8 


517  Bacchus. 

518  Children. 

519  Children. 

£20  Lady  with  Guitar. 

521  St.  George  Slaying  the  Dragon. 

522  Mythological  Subject. 

523  Apotheosis  of  the  Virgin. 

524  Figures. 

525  Landscape. 

r  . '  *'*  *  t  'f. 

526  Landscape. 

527  Animals. 

£28  Lot  of  Drawings,  assorted. 

529  Portfolio  of  Engravings. 


H.  H.  LEEDS  &  MINER, 


Auctioneers. 


